Had to share this super creative, cute, and cost-effective storage solution from the Finnish design website Dekolehti.
The project is so incredibly simple to pull off I feel like a dummy for not trying it sooner. There really is nothing to it beyond getting your hands on some good hook-like branches, sanding them down and painting them up and you’ve got yourself a set of wall hooks that cost next-to-nothing and are oh so precious on the wall.
Over the weekend, I was *THRILLED* to find that Apartment Therapy featured our DIY kitchen renovation on their blog.
I have never hidden the fact that AT is a huge inspirational blog for me, so it was really humbling to see our kitchen featured on their site. One thing that surprised me, however, was many of the comments. Namely, many people were surprised (some pleasantly, some not so) to see I kept the knotty pine cabinets rather than paint over them.
I can’t say I blame those curious commentors. In fact, when we first purchased our new house, I even wrote a blog entitled “Naughty Pine” all about how much I hate how knotty pine cabinets look. They were, I reckoned, dated and dark and dirty. The fact that I decided to keep them surprised me as much as anyone else. So, why did I do it?
For one, we didn’t have it in our budget to rebuild the cabinets or change the general layout of the kitchen. That certainly plays a significant role.
But why not paint?
It’s generally acknowledged that kitchens and bathrooms are the spaces in homes that age most poorly. Today, it’s all about granite counter tops and stainless steel appliances. But in the ’90s it was mostly country chic that dominated the Better Homes and Gardens catalogs. The ’80s, dark wood trim surrounding stark white cabinets seemed to be all the rage. And in the ’70s, avocado green appliances were the standard. What I’m getting at is this: every era has had it’s signature look that ultimately becomes dated and disliked. Trends and fashions are cyclical and even if you renovate to achieve the most modern look possible, history says it will one day be out of style, old fashioned and in need of a yet another “upgrade.”
So rather than try and completely modernize the kitchen, I decided to embrace the era in which the house was built–1957–but still give the kitchen some life and updated style. It’s why we bought a Big Chill fridge (my most prized possession) and opted to keep the classic, mid-century cabinets in their knotty pine glory while still bringing in a shiny and new countertop and back splash. At the end of the day, a 2012 kitchen in a 1957 home didn’t seem like the best fit.
There are a handful of other blogs that reinforce this ideology. Retro Renovation, is one that very intentionally focuses on preserving the original integrity of older homes, and which has been a valuable resource for me. Check out some of their time capsule homes.
At the heart of it, what I’m trying to say is this: old homes have their charms and their flaws. And while it’s certainly tempting to demolish and reconstruct your home (if you have the means) to a more modern and magnificent space, there’s also something to be said for preservation. And I hope other caretakers of homes of other eras will find ways to enhance AND embrace the features that make those spaces a part of their city’s history.
Confession: despite being a color enthusiast, I’m new to the paint swatch business. I have never tested a color on the wall against others before because, frankly, I’m impatient. Once I start flirting with a color, I want to seal the deal and make it mine as quickly as possible. This approach is not fail safe, and while I’ve had my fair share of victories, I’ve also ended up repainting both the living room and the office after feeling like I was being punched in the face by repugnant pigments. With our bathroom renovation I wanted to exhibit a little class, a little reserve, and really take my time choosing the best color for the small, poorly lit space. Not a novel concept, but the experience has been a revelation.
Since the rest of the house looks like what you would get if you crossed a peacock with a rainbow, I decided to do something muted, cool and calming for the bathroom. After picking out four appealing bluishgreyish colors, I hesitantly went where all sensible renovators have gone before, straight to the heart of Swatchington, USA.
In their containers the colors seemed nearly identical, but once they were on the wall, I realized how truly crucial the old paint-and-wait method is to seeing a design notion through to reality. On a broader canvas, struck by different angles of light, the colors took on their own personalities, with some rising to the top of my must-have list while others were knocked out of the running completely.
The merit of this well-known and widely practiced technique is not rocket science, hell it’s not even 6th grade science, but this practice is something I will never skip over again.
And because I’ve spent my evenings collecting inspiring images to drive the direction of our bathroom, reno, I’ll subject you to the same. My pics for the best of blue/grey bathrooms below…
Lots of design-oriented DIY blogs (this one included) will have you believe that choosing to makeover/renovate/repair/assemble/disassemble a home improvement project yourself rather than enlist the help of the pros is the usually the only acceptable way to function. Successfully do/make something on your own and you will have a free pass to walk around with an entitled sense of superiority, like ordering a salad at a restaurant when everyone else gets the steak. Yes, do it yourself and you shall be handsomely rewarded. Not so, says I.
The pride I feel about my recent bathroom cabinet makeover is about on par with what I imagine it feels like to discover you’ve made the 7th grade C team in volleyball. (I say “imagine” because I definitely don’t know what it feels like to practice so hard to prove yourself to the volleyball coach at Calhoun Middle School that you throw up in the locker room trash can, subsequently “earn” a spot on the bench with the other athletically challenged girls and then, humiliated, quit and pretend like you never cared about volleyball in the first place and would rather, of course, focus on your dancing. No, I don’t know what that is like.) What I’m trying to say is, I wish I had just dropped the dollars to buy a cabinet with some actual gusto than try to refurbish a cabinet that would end up only being slightly better in quality than child’s macaroni art.
Here’s the Reader’s Digest version. I don’t really like our bathroom layout, as it is very small and boring. But then I saw a photo of similarly designed room and thought, Hey, I can do that.
I liked how it felt modern but also cozy with the wooden accent on the shelves. I knew, however, that I needed more storage than what shelves as dinky as those would provide. I wanted something with some girth, like the Akurum wall cabinet from IKEA.
I liked that it kept the wood accents, but didn’t shriek of woodsy charm. Because our bathroom is small I liked the idea of being able to see inside the cabinet, which may keep that omg-the-walls-are-closing-in-on-me feeling at bay. Yes Kelsey, this will do nicely. Flash to price tag: $207. Pfffftttt. Come on Ikea, be real. I can make a badass cabinet myself for half that. Well, yes and no. I didn’t think I would actually be making any cabinet, per se, but I know my way around the Restore and was sure I could modify something to resemble as much. That, I did do, and $15 got us a cream colored cabinet in decent shape that would fit the space over the toilet poifectly.
Alright, OK, good. I could do this. But what first? After removing the hardware I figured I should start this weekend renovation by removing the panels in the doors. I still wanted a cabinet with translucent doors, so that interior panel would have to go. I watched more Youtube videos than I would have ever hoped to on the subject of removing interior cabinet paneling. I’ll tell you, there are a lot of schools of thought on the best way to do this. Some people say you need a jigsaw, others say not. Honestly I can’t even remember what all of the methods were but they were all time intensive and required tools that we didn’t have, so I got creative. This is code for abandoning all reason and just going for it. I used Heath’s whatchawhosit tool (he says its a dremel but I am not fooled) to try and trace the paneling and create a perforated edge around the interior of the cabinet that I could then gently push outward.
This maybe would have worked if it weren’t for two things: one, this was also a timely process and the vibration of the whatchawhosit was making my hand feel very funny; I did not like this, and secondly, the heat generated from trying to cut through wood was creating a burning smell which I also did not like. So I decided to abandon all reason a second time and just go to town on the panel with a hammer. Believe it or not, this is not where my refurbishment experiment went astray. In fact, forget what everyone else tells you about removing panels from cabinet doors and just beat the crap out of it with a hammer. THIS ACTUALLY WORKS. And, bonus points, it’s also kind of cathartic.
Then I spent a a good 3-4 hours stripping, sanding and staining/painting the doors and cabinet base and then letting it all dry. So far, still on course.
When I woke up the next morning to check everything out, I was really disappointed to find that I hated how the stain looked with the wood grain of the cabinet doors. It was not modern and glamorous but instead the grain was very 1990s country kitchen. Nothing against a good country kitchen, (my teenage gal pals who remember the critical role Linda Tonn’s kitchen played during our formative years will vouch for it) but it’s not the look I was after. Expletive. I thought on it for a minute and then, in the interest of my impatience, decided to just paint the doors white to match the rest of the cabinet. I would find another way to bring in my beloved wood accents. This could have been a successful recovery tactic except that the paint didn’t take to the stain, and I had to strip, sand and paint the cabinets all over again. This is a bigger downer than pouring a bowl of cereal only to find you are out of milk. The worst. Not only was this taking FOREVER but my hands were sore from contact with the chemical in the stripping agent (I know, I know mom, I should wear gloves) and I was also all shaky from hours spent holding an electric sander. I was beginning to hate my bathroom, the Restore, IKEA, paint, stain, design blogs and DIY books, everything. How dare you give me confidence, world?
Once the paint dried, on DAY 3 (ideally, the cabinet would have been hanging from my wall like a prized elk’s head by the end of Day 2) we started the process of inserting the glass panels. We bought a large piece of glass ($20) from Home Depot and this glass cutting kit because, hell yeah, we are DIYers and no project is too difficult for us to master. Let me say, this glass cutting kit was a piece of shite. We followed directions to a T and it flat out didn’t work. The glass broke, the kit was crummy, we were out $32 and had bloody fingers. On trip two to Home Depot we got plastic instead (~$15), which was easier to cut than the glass and didn’t result in blood droplets on our driveway.
We successfully glued the plastic panels into the cabinets, but it just looked bad because, when you get down to the science of it all, cheap plastic does not equal glass in quality or shine. I decided to frost the clear inserts ($3) because I thought it would be a classy move and perhaps make up for the downgraded quality of the plastic, but in the end the doors didn’t beam of frosty elegance. Instead it was like someone sprayed cheap frost-in-a-can unevenly over a scratchy surface, because that is precisely what we did. Once we screwed in some modern handles ($6) and hung it up on the wall, I officially knew then what I suspected all along. This project was more disappointing than Star Wars Episode I, though admittedly a cheaper mistake to make.
It might be the most unimpressive, least dramatic transformation in Doodle House history. Not only did the cabinet makeover itself turn out pretty sub standard and arguably worse off than the original cabinet was, but it makes such an uninspired difference in the room it may as well be invisible.
Once upon a time, our fiddle leaf fig was a contained, petite and well-groomed specimen. But these days, the branches of my beloved ficus are pretty sprawled out, each one is in business for itself. Not that I mind that, necessarily. For a while, I thought this particular plant had gone rogue, or at the very least was in a rebellious state against its doting caretakers based on how it looked when we initially brought ‘er home (unfortunately, no pictures exist of that banner moment).
But this perceived independent streak is not quite as it seems; in fact, after some research I have found that it is my preconceived notion of what this popular house plant ought to look like that is at fault. As it happens, fiddle leafs come in all shapes and sizes, depending on how they are groomed and cared for, which means there’s pretty much a style to fit anyone’s idea of beauty. That’s a pretty swell shrub if I have anything to say about it.
Long and leggy
I’m digging the different looks the Ficus lyrata can pull off, it’s essentially the Carrie Bradshaw of house plants. I’m gonna go ahead and go out on a limb here (eh, eh?) and say, fiddle leaf fig, you’re my ideal house plant. You’re pretty easy going (Or should I say growing?!), you’re nice to look at and I doubt I’ll ever be bored of you.
FACT: It took longer to prepare this post than it did to achieve my latest home update—painting and recovering a forgotten chair.
Many, many moons ago, when I was just a lass, good old mum picked up this little number from Denton’s own Downtown Mini Mall for a sweet $20.
That was more than 15 years ago, but we’ve gotten a lot of bang for our buck. I’ve modified this chair at least three times over the past few years as my style changed from juvenile bright, to bohemian cool, to modern eclectic. But ye old chair has endured each look with gusto. She’s taken on the challenge of being painted both cyan blue and dusty red, and her cushion has been covered in everything from kitchen placemats to old scarves—looking surprisingly appropriate with each passing style. Good job, chair. So why not take 15 minutes this weekend to update the familiar beauty once more? After all, it’s easy as 1…2…8.
No kidding, without factoring in the time it takes the paint to dry, this project was completed in 15 minutes. How’s that for instant gratification? And in addition to being crazy easy, it’s also cheap to pull off. I had the chair and the fabric (leftover from another project), so the only cost was the spray paint…bringing the cost to complete the project to a sweet $3.75. If only all projects could be that easy on the watch and the wallet.
I was going through my flickr account recently, which I hate to admit is sorely outdated, and I came across a handful of pictures of the original Doodle House. We lived there a year and a half before moving to our current pad, doing what we could to make it feel like home given our limited capabilities as renters. We painted. We updated some hardware here and there. We got our start raising chickens. It was the house we lived in as newly weds and we did what we could with what we had to make it ours. I don’t have any negative feelings or weird associations with our old place, none at all. But looking back, I realize now, even with all its quirks, how much more our current house feels like home than did this little eclectic cottage. It’s kind of funny how much can change in just a couple of years.
You know that children’s book If You Give a Moose a Muffin? The one where the little boy gives a muffin to a moose and then the next thing you know one thing has led to another and he, the moose, is performing a puppet show in your mom’s living room? Well that’s basically the same storyline of If You Let Kelsey Make a Mood Board, which I did for the first time recently on the DH bathroom.
I have certainly seen mood boards before. They are all over the design blogs I read, and I have no qualms with them, but for whatever reason I had never taken the time time to make one myself, despite the dozens of room makeovers I have undergone (which perhaps would be smaller if I had made a mood board in the first place). The bathroom is the last frontier of The Doodle House—never painted, never loved. In fact, you’ve probably noticed a lack of bathroom oriented posts on the blog. (Actually no, I hope you haven’t been reading this, pining for more posts about our water closet. But that’s not the point.) That is probably because it’s tiny and there isn’t much to it besides this kinda quirky, retro avocado ’50s tile that I really, really, REALLY like. Other than that, there’s not much else going on in there. It’s small, and there isn’t any storage, and the layout leaves much to be desired.
But I came across this photo of a bathroom—with a similar size and layout to ours—on Apartment Therapy and got inspired to pay some much-needed attention to the tiniest, but arguably most frequently used, room in the house.
That’s when I remembered: just because a room is small, does not mean it should also be sterile and void of any personality or charm. So I spent the morning foolin’ around on the laptop, googling everything from “hexagonal tile” to “swimming dog art” to create a mood board for the left-behind lavatory. Once I got started, I got so flippin’ excited I could hardly control myself. What started as a lazy Saturday morning with Heath and I debating whether to go to Barton Springs or the Greenbelt, quickly found us both at Home Depot, stocking up on “bleached linen” paint and extra long shower curtains and stainless steel towel racks to see the look through to fruition. Fast forward half an hour and I’m using the electric drill to take down the shelves and cover the walls with its first coat of paint.
This evening the bathroom is in transition as I map out the plan for its immediate future.
No more mood boards for me. It only leads to trouble.
I’ve recently come to the conclusion that I might very well be the living, breathing, walking, talking, blogging symbol of American consumerism. I sees something I wants sprawled across the pages of a catalog or draped stylishly over some hipster walking the chicest of city streets or proudly taking up real estate in a post of some brand name design blog, and I inevitably come to the conclusion that I must attain that picnic scenario, those awesome Ikat shorts, that fantastic living room–or at least a cheap knock off version of each. Every now and then I’m temporarily relieved of my obsession after some life-changing adventure, say a trip to India for instance, but at one point or another it’s certain I will find myself curled up in secret with the iPad at 11 at night, googling pictures of “homemade earring stands” so that I can emulate some totally random, completely irresistible image I saw in that catalog, on that girl at Whole Foods, in that post on Design*Sponge. I wouldn’t go so far as to say I have a shopping problem (see homemade earring stand comment above), but at the very least it’s a browsing problem. As of late, I had been eyeballing these, as Heath would say, “super omega krunk” modern orbital light fixtures.
I’m not entirely positive as to why I am so drawn toward and mystified by these quirky living and dining room accessories. I’d like to say something about how we view light as a symbol for life and I feel rejuvenated by them. Or that their incessant circular design holds some alluring magnetism. Or that proper lighting determines the mood of the room and ultimately oneself and that these examples reiterate the attitude I want reflected in my home. Yes. I’d like to say that. But really it boils down to pretty…so pretty.
Good old mom knew I had been toying with the idea of swapping out our not-so-terrible, but also not-so-special 80s light fixture for a illumination source that’s more stylish and charismatic (and remnant of something from that website, magazine, catalog, street corner, etc). Next thing I know, a mystery package from Joss & Main shows up on our door step and I’m staring this thing square in the eye.
Its formal fancy pants name is the “Aumi Pendant” but I just like to call it “SUH-WEET!” It cost $136, through whatever black magic Joss & Main works, and I was able to put those awesome waves together in about an hour while sitting on the living room floor watching a rerun of Saturday Night Live. The only trouble with it was, while it was labeled as a “pendant” it actually didn’t have traditional pendant wiring and instead was equipped with a standard plug-in for a wall outlet. But our local handyman was able to rewire the thing in about half an hour and we wound up with this impressive get up that’s still far cheaper than anything I would have been able to find at a fancy lighting or faddish vintage store. The doodle doggies don’t seem to mind the imposing orb.After all my catalog flipping and blog scrolling you might say, I’ve finally got my eye on the ball (ey….ey?!). Consumerism Shmonshmumerism. I’m a happy girl with this new, magazine-inspired, designer knock-off ball of brilliance—a stylish charm that radiates beauty, whimsy, serenity and, oh yeah, light.
“What Netflix movie did we get this week?”
“An American in Paris.”
“Oh the Woody Allen movie. Cool.”
“No, not the Woody Allen movie. That’s Midnight in Paris. This is the musical with Gene Kelly.”
“The Singing in the rain guy?”
…And so began our journey into this nearly forgotten movie musical.
My mom did a good job of ensuring I accrued a respectable number of musical titles as a child, for whatever that’s worth. Weekly trips to the public library always returned the best of Rogers and Hammerstein scores and MGM films. Oklahoma, West Side Story, Sound of Music, The King and I, Singing in the Rain all had regular dates with my VCR. Like most egocentric children, I took great delight in bellowing “Shall We Dance” and “Do-Re-Mi” through the house as loud as humanly possible and fantasizing about the day I would be cast to play the female lead in a grand stage version of each. And before you go around feeling sorry for my poor family who had to endure these homemade song and dance numbers, let it be known that ole Gretchen didn’t do much to discourage this behavior. There’s even a recording of me somewhere screaming “I’m Just a Girl Who Can’t Say No” into a microphone at the tender age of 4, which is hilarious now for reasons I didn’t understand at the time.
But I digress.
I had vague, vague memories of the 1951 musical An American in Paris being on the musical circuit that passed through our home, but hardly could recall what it was about or recite any of the lyrics from the film’s musical numbers, which is a shame considering its Gershwin score and the fact that it won some six Oscars (if you care about that sort of thing), including one for Best Picture. One thing I did remember is for a wide-release film, it was uncharacteristically loaded with ballet numbers—a quality I gave extra weight too as a once aspiring ballerina—but not much else. So, 20 years later, as I scrolled through endless selection of Netflix titles, I thought I should give An American in Paris another try. Only this time, I would be viewing it not so much as a young amateur ballerina, but as a young adult with a developing interest in art, design, and history.
An American in Paris follows the story of Jerry Mulligan, a World War II veteran, who falls in love with a French shop girl. But as is to be expected, no couple can fall in love in Paris with out an obstacle or two to get in the way of their journey to happily ever after. The object of Kelly’s affection is of course engaged to another man, while the lead character himself is being pursued by a wealthy American heiress who vies for his attention under the guise that she is a great patron of the arts with an interest in sponsoring a grand exhibition by the American solder turned Parisian painter.
Unsurprisingly, the dancing in American in Paris is top notch. Gene Kelley makes producing 24802934234 sounds at once via his tap shoes appear all too easy and 19-year-old Leslie Caron (in her film debut) performs challenging fouettés like she was born doing them. But, you come to expect dancing of the highest caliber when you’re dealing with Hollywood’s heavy hitters. The Gershwin score too is one to be admired. Most of the numbers begin as soft and pleasant ditties that slowly build into epic mind-melting compositions. But again, it’s Gershwin. You know you’re in for a sing-songy treat before it even begins.
Re-watching this as an oh-so-wise-and-worldly 26-year-old, it was not only the song and dance that tickled my fancy. The art direction played so powerful a role in this film, the scenery and background seem to be their own character (not so divergent from the way, say, Wes Anderson or Baz Luhrmanm strategically employ art, color and light as visual communicators in films today). Throughout the movie the viewer is treated to surreal and dreamy vignettes that feature Caron, Kelly and composer-actor Oscar Levant in scenes that provide an escape from the somewhat predictable, plot. In one scene, for example, as Levant and French actor Georges Guetary describe the characteristics they seek out in the perfect woman, the audience gets to see Caron provide visual interpretations of what it means to be “modern,” “classic,” intelligent,” etc. And Kelly, portraying an artist, appropriately dances in and out of famous French artworks like Chocolate Dancing by Toulouse-Lautrec. And the film culminates in a 16-minute (and allegedly $500,000) ballet, which takes place on a set that draws inspiration from famous works by Renoir, Van Gogh and other iconic artists. (Check out this great frame-by-frame comparison of the film to its artistic inspiration here.) The visual elements were stimulating, engaging, surreal…exactly what a musical should be.
I haphazardly clicked the “add to queue” button on the Netflix account to bring An American in Paris into my living room, but was pleased to rediscover a piece of Hollywood cinema that left a lasting impression and awoke in me a new appreciation for the way proper art direction helps shape a story. It has me itching to rewatch other forgotten movies of my childhood to see what else I may have missed, and to explore newer releases for the surprises that may unfold as a result of the latest and greatest technologies in visual storytelling.
Some of us aren’t fans of revisiting films—unless of course, it’s one of those mega classics like Star Wars, for instance, or The Big Lebowski. With the incalculable number of films out there, it doesn’t seem practical to some to rehash the old while forgoing the new. But taking a second look has done me a world of good, and I’m motivated now more than ever to take another peak at yesterday’s movies to discover something remarkable and rejuvinating.