You know that children’s book If You Give a Moose a Muffin? The one where the little boy gives a muffin to a moose and then the next thing you know one thing has led to another and he, the moose, is performing a puppet show in your mom’s living room? Well that’s basically the same storyline of If You Let Kelsey Make a Mood Board, which I did for the first time recently on the DH bathroom.
I have certainly seen mood boards before. They are all over the design blogs I read, and I have no qualms with them, but for whatever reason I had never taken the time time to make one myself, despite the dozens of room makeovers I have undergone (which perhaps would be smaller if I had made a mood board in the first place). The bathroom is the last frontier of The Doodle House—never painted, never loved. In fact, you’ve probably noticed a lack of bathroom oriented posts on the blog. (Actually no, I hope you haven’t been reading this, pining for more posts about our water closet. But that’s not the point.) That is probably because it’s tiny and there isn’t much to it besides this kinda quirky, retro avocado ’50s tile that I really, really, REALLY like. Other than that, there’s not much else going on in there. It’s small, and there isn’t any storage, and the layout leaves much to be desired.
But I came across this photo of a bathroom—with a similar size and layout to ours—on Apartment Therapy and got inspired to pay some much-needed attention to the tiniest, but arguably most frequently used, room in the house.
That’s when I remembered: just because a room is small, does not mean it should also be sterile and void of any personality or charm. So I spent the morning foolin’ around on the laptop, googling everything from “hexagonal tile” to “swimming dog art” to create a mood board for the left-behind lavatory. Once I got started, I got so flippin’ excited I could hardly control myself. What started as a lazy Saturday morning with Heath and I debating whether to go to Barton Springs or the Greenbelt, quickly found us both at Home Depot, stocking up on “bleached linen” paint and extra long shower curtains and stainless steel towel racks to see the look through to fruition. Fast forward half an hour and I’m using the electric drill to take down the shelves and cover the walls with its first coat of paint.
This evening the bathroom is in transition as I map out the plan for its immediate future.
No more mood boards for me. It only leads to trouble.
I’ve recently come to the conclusion that I might very well be the living, breathing, walking, talking, blogging symbol of American consumerism. I sees something I wants sprawled across the pages of a catalog or draped stylishly over some hipster walking the chicest of city streets or proudly taking up real estate in a post of some brand name design blog, and I inevitably come to the conclusion that I must attain that picnic scenario, those awesome Ikat shorts, that fantastic living room–or at least a cheap knock off version of each. Every now and then I’m temporarily relieved of my obsession after some life-changing adventure, say a trip to India for instance, but at one point or another it’s certain I will find myself curled up in secret with the iPad at 11 at night, googling pictures of “homemade earring stands” so that I can emulate some totally random, completely irresistible image I saw in that catalog, on that girl at Whole Foods, in that post on Design*Sponge. I wouldn’t go so far as to say I have a shopping problem (see homemade earring stand comment above), but at the very least it’s a browsing problem. As of late, I had been eyeballing these, as Heath would say, “super omega krunk” modern orbital light fixtures.
I’m not entirely positive as to why I am so drawn toward and mystified by these quirky living and dining room accessories. I’d like to say something about how we view light as a symbol for life and I feel rejuvenated by them. Or that their incessant circular design holds some alluring magnetism. Or that proper lighting determines the mood of the room and ultimately oneself and that these examples reiterate the attitude I want reflected in my home. Yes. I’d like to say that. But really it boils down to pretty…so pretty.
Good old mom knew I had been toying with the idea of swapping out our not-so-terrible, but also not-so-special 80s light fixture for a illumination source that’s more stylish and charismatic (and remnant of something from that website, magazine, catalog, street corner, etc). Next thing I know, a mystery package from Joss & Main shows up on our door step and I’m staring this thing square in the eye.
Its formal fancy pants name is the “Aumi Pendant” but I just like to call it “SUH-WEET!” It cost $136, through whatever black magic Joss & Main works, and I was able to put those awesome waves together in about an hour while sitting on the living room floor watching a rerun of Saturday Night Live. The only trouble with it was, while it was labeled as a “pendant” it actually didn’t have traditional pendant wiring and instead was equipped with a standard plug-in for a wall outlet. But our local handyman was able to rewire the thing in about half an hour and we wound up with this impressive get up that’s still far cheaper than anything I would have been able to find at a fancy lighting or faddish vintage store. The doodle doggies don’t seem to mind the imposing orb.After all my catalog flipping and blog scrolling you might say, I’ve finally got my eye on the ball (ey….ey?!). Consumerism Shmonshmumerism. I’m a happy girl with this new, magazine-inspired, designer knock-off ball of brilliance—a stylish charm that radiates beauty, whimsy, serenity and, oh yeah, light.
“What Netflix movie did we get this week?”
“An American in Paris.”
“Oh the Woody Allen movie. Cool.”
“No, not the Woody Allen movie. That’s Midnight in Paris. This is the musical with Gene Kelly.”
“The Singing in the rain guy?”
…And so began our journey into this nearly forgotten movie musical.
My mom did a good job of ensuring I accrued a respectable number of musical titles as a child, for whatever that’s worth. Weekly trips to the public library always returned the best of Rogers and Hammerstein scores and MGM films. Oklahoma, West Side Story, Sound of Music, The King and I, Singing in the Rain all had regular dates with my VCR. Like most egocentric children, I took great delight in bellowing “Shall We Dance” and “Do-Re-Mi” through the house as loud as humanly possible and fantasizing about the day I would be cast to play the female lead in a grand stage version of each. And before you go around feeling sorry for my poor family who had to endure these homemade song and dance numbers, let it be known that ole Gretchen didn’t do much to discourage this behavior. There’s even a recording of me somewhere screaming “I’m Just a Girl Who Can’t Say No” into a microphone at the tender age of 4, which is hilarious now for reasons I didn’t understand at the time.
But I digress.
I had vague, vague memories of the 1951 musical An American in Paris being on the musical circuit that passed through our home, but hardly could recall what it was about or recite any of the lyrics from the film’s musical numbers, which is a shame considering its Gershwin score and the fact that it won some six Oscars (if you care about that sort of thing), including one for Best Picture. One thing I did remember is for a wide-release film, it was uncharacteristically loaded with ballet numbers—a quality I gave extra weight too as a once aspiring ballerina—but not much else. So, 20 years later, as I scrolled through endless selection of Netflix titles, I thought I should give An American in Paris another try. Only this time, I would be viewing it not so much as a young amateur ballerina, but as a young adult with a developing interest in art, design, and history.
An American in Paris follows the story of Jerry Mulligan, a World War II veteran, who falls in love with a French shop girl. But as is to be expected, no couple can fall in love in Paris with out an obstacle or two to get in the way of their journey to happily ever after. The object of Kelly’s affection is of course engaged to another man, while the lead character himself is being pursued by a wealthy American heiress who vies for his attention under the guise that she is a great patron of the arts with an interest in sponsoring a grand exhibition by the American solder turned Parisian painter.
Unsurprisingly, the dancing in American in Paris is top notch. Gene Kelley makes producing 24802934234 sounds at once via his tap shoes appear all too easy and 19-year-old Leslie Caron (in her film debut) performs challenging fouettés like she was born doing them. But, you come to expect dancing of the highest caliber when you’re dealing with Hollywood’s heavy hitters. The Gershwin score too is one to be admired. Most of the numbers begin as soft and pleasant ditties that slowly build into epic mind-melting compositions. But again, it’s Gershwin. You know you’re in for a sing-songy treat before it even begins.
Re-watching this as an oh-so-wise-and-worldly 26-year-old, it was not only the song and dance that tickled my fancy. The art direction played so powerful a role in this film, the scenery and background seem to be their own character (not so divergent from the way, say, Wes Anderson or Baz Luhrmanm strategically employ art, color and light as visual communicators in films today). Throughout the movie the viewer is treated to surreal and dreamy vignettes that feature Caron, Kelly and composer-actor Oscar Levant in scenes that provide an escape from the somewhat predictable, plot. In one scene, for example, as Levant and French actor Georges Guetary describe the characteristics they seek out in the perfect woman, the audience gets to see Caron provide visual interpretations of what it means to be “modern,” “classic,” intelligent,” etc. And Kelly, portraying an artist, appropriately dances in and out of famous French artworks like Chocolate Dancing by Toulouse-Lautrec. And the film culminates in a 16-minute (and allegedly $500,000) ballet, which takes place on a set that draws inspiration from famous works by Renoir, Van Gogh and other iconic artists. (Check out this great frame-by-frame comparison of the film to its artistic inspiration here.) The visual elements were stimulating, engaging, surreal…exactly what a musical should be.
I haphazardly clicked the “add to queue” button on the Netflix account to bring An American in Paris into my living room, but was pleased to rediscover a piece of Hollywood cinema that left a lasting impression and awoke in me a new appreciation for the way proper art direction helps shape a story. It has me itching to rewatch other forgotten movies of my childhood to see what else I may have missed, and to explore newer releases for the surprises that may unfold as a result of the latest and greatest technologies in visual storytelling.
Some of us aren’t fans of revisiting films—unless of course, it’s one of those mega classics like Star Wars, for instance, or The Big Lebowski. With the incalculable number of films out there, it doesn’t seem practical to some to rehash the old while forgoing the new. But taking a second look has done me a world of good, and I’m motivated now more than ever to take another peak at yesterday’s movies to discover something remarkable and rejuvinating.
I smile and allow myself to be enveloped by a medley of warm and fuzzy feelings when I imagine covering the walls of our home with one-of-a-kind art pieces that conjure up memories of times well spent and people greatly loved. But because I’m a girl on a budget, I’m not quite as fond of the price tag that comes with many unique paintings and prints, and I don’t have the skill set to put pen to paper and create epic masterpieces on my own either. To solve the conundrum of having champagne taste on a beer budget, I’ve been known to use three methods: repurpose projects my friends have created (like Eric’s concert posters), use canvaspop to print my favorite photographs, or get nifty with design software to make colorful mini-posters we can change with the seasons with minimal effort and cost.
Each method has proved an acceptable solution to my dilemma, so most recently, I’ve tried to bring extra pizazz to the house by once again employing the third of those tactics—creating art on the old lap top. Recently I’ve been carried away by the enthralling shapes of some of the succulents in our neighborhood, and I thought perhaps that recent obsession could make for some nice hallway flair. I conjured up this little number one recent afternoon based on two of my favorite neighborhood cacti.
Like me, the print is a little cheesy, but I enjoyed coming up with a way to incorporate my favorite colors and our love of gardening, neighborhood walks and each other in one fun and simple piece. I printed the finished design on 8.5″ x 11″ card stock and bought a frame on clearance at Target to spruce it up. Not bad for hallway art.
Today I write the blog entry I’ve (embarrassingly) been fantasizing about for awhile, the post on our newly renovated midcentury kitchen. We have been planning and slowly chipping away at our kitchen renovation practically from the first moment we moved in.
She was relatively functional, sure, but it wasn’t a place I wanted to spend much time in. And like others, as I grow older and try to become a culinary savant, having a comfortable cooking area has become more and more important to me. To make the space work for us, I spent months flipping through tons of magazines, pinterest boards and blog posts to figure out what would fit our space and our budget. We took it on bit-by-bit, first painting the walls and replacing the light fixtures. Then Heath spent his Christmas vacation sanding down and restaining the original knotty pine cabinets and adding new hardware, and we worked together the following spring break to remove the wood wall paneling and add more shelving and storage. About a month ago we tackled the most costly upgrade, replacing the countertops and redoing the plumbing. And to wrap it all up, last week we put in the tile backsplash, resulting in the nearly finished product we have today, 18 months after moving in.
The original tile work was not a professionally executed job. There were broken pieces around the electrical outlets and jaggedly cut tiles around the sink. So when it came time replace it, we went back and forth on whether we should do it ourselves or have it professionally installed to avoid a debacle like what we began with. In the end, we decided to take it on ourselves, a decision I’m happy with, not only for the financial implications but for the sense of accomplishment and ownership we felt when it was all said and done.
We started as all young 21st century DIYers do, watching a YouTube video on the process. We found this one to be the most helpful.
Contrary to our initial beliefs, installing the backsplash was relatively straight forward.
- If you have uneven drywall like we did, use an all purpose joint compound on the wall to smooth out uneven areas before beginning.
- Butter the walls with adhesive.
- Lay the tile and wait 24 hours.
The tiling was a lot like putting together a puzzle, frustrating at times, but marvelously gratifying when you find the right piece to complete the sequence. The corners and edges were predictably the most challenging areas to finish off, but we had a tile cutter that proved most helpful to create tiny pieces to finish off our pattern.
And installing the tile was a true team effort. We started in the middle and worked our way out to either side. Then I did the grouting and Heath did the caulking. It was couple’s team building through and through.
The tile backsplash was the cherry on top of the renovation sundae, leaving only the dishwasher and garbage disposal installation to be desired. It’s fantastic to be able to stand in our doorway today and take in the finished product that was more than a year in the making. While it’s not completely perfect, I can’t help but beam with pride at the first major renovation we conquered on our own, from the design to the execution (with a little help and support from loving family and friends). It was a long process to be certain and sometimes tested our patience, but it was also an experience we will carry with us as we continue to develop our skills and take on new challenges in the future.
As a belated Christmas gift, last weekend Heath mounted the TV for me. For us, this is one of those pesky projects that (in the grand scheme of things) is pretty easy and affordable to accomplish but, for one reason or another, never made its way to the top of our to-do list. Though I don’t know why, as the end result has made a HUGE difference to our GDH. Just to jog your memory, here’s what our TV setup used to look like.
And here is what it looks like today.
It’s like people actually live here now! The project took about an hour and half to complete from start to finish. That time span includes Heath putting the TV up, me deciding it was too high, and him redoing the whole project again. Plus the time it took to hide the cables and arrange the fixins’ on the dresser. So basically, I’m embarrassed we didn’t get to this DIY fix earlier.
To say the living room has gone through many iterations would be an understatement. We’ve (I’ve) changed furniture and wall colors in here so many times I can’t event begin to give you the actual number of layout switch ups (maybe 5). Fortunately for Heath, now that the TV is on the wall, we are pretty well set with our current layout, and that’s just great with me. It’s quite possible I’m close to reaching my goal of having a living room that fits the modern eclectic description I was aiming for. Of course, once I achieve that, I’ll probably decide to switch things up again to fit a more Downton Abbey-ish lifestyle. I wonder how a flat screen fits into that arrangement…
There are lots of things Heath and I add and take away from our dream home checklist, but there is one item that has stayed constant throughout: the built in book shelf, or rather, a wall of books. Having a mini library, a focal point around books, would be alright by us.
The wall-o-books is appealing for 23426423 reasons.
Reason 1: We’ve got tons of books. We needs a place to put ’em. Book cases are perfect storage units for said books.
Reason 2: They can be completely fantastic to look at. Not only do they bring color and interest to a room, they can also serve as little windows into a person’s life. You can learn a lot about someone by checking out what’s on their bookshelf….pictures of family or friends, the trinkets they want on display and, oh yeah, the books they enjoy reading. And if they don’t have a bookshelf, you probably don’t want to be friends with that person anyway.
And for something a little less remarkable, a look at our attempts to master the bookcase–albeit on a smaller scale.
Heath built this moveable unit for me back at the rental. Not bad for a DIY storage project, still not quite the Lordship’s library.
Trying to give some gusto to an Ikea unit.
Literally going outside the box with a floating book shelf.
Trying to get a little unconventional with something pink.
The book case from long ago, stained and re stacked.
So we have not yet created a room, a wall, or sadly even a focal point of books. But perhaps singing this ode to the book case will get us on our way.